Xenoblade Chronicles 2 Our Paths Will Cross Again

It'due south Xenoblade; of course it's going to take crawly music. Therefore, we will merely exist going through sure choices equally pretty much the whole soundtrack counts as this.

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• The principal boxing theme, entitled "Battle!!", volition make fifty-fifty the well-nigh menial of battles amazing. For extra bonus points, it fifty-fifty has a little snippet from "You Volition Know Our Names" from the original.
• The main theme, "Where We Used To Exist", may non be equally emotional as that of the first game, but it's still a beautiful piece that fits the game well.
• "Counterattack", which plays during pivotal moments in the story, is essentially "Engage the Enemy" from the first game just with a lot more guitar.
• "Incoming!", the main boss theme, perfectly highlights the tension of the situation at paw.
• "Those Who Stand up Against Our Path" immediately opens with an alarming guitar riff, as if to tell you to offset running the heck abroad from whatsoever unique monster that decided to target you lot. However, if you lot decide to stand your ground, the song somewhen transitions to a more heroic-sounding section as if to support your choice to proceed on fighting. In that location'south a remixed version in the official soundtrack.
• "Driver Vs." plays whenever you fight a hostile driver, and it has an upbeat pace with a healthy employ of violin and guitar riffs. Really helps gear up the stage for a fight that might usually exist tougher than others. This also plays when you fight Relentless Arduran (the fully grown babe ardun from a sidequest in Gormott) in identify of the usual unique monster theme. Considering what it drops, this could as well double every bit great music for cadre crystal farming.
• "Death Match With Torna", the boss theme for the members of the eponymous organization. From the foreboding Japanese flute at the get-go to the menacing combination of techno and guitars that follow suit, this theme will be certain to go along you on your toes.
• "Bringer of Anarchy! Ultimate", the battle theme for the fights against Zeke, perfectly captures the grapheme'due south hilariously hammy antics and over-the-top personality while still dropping hints that this foe shouldn't be taken lightly.
• The amazingly awesome boxing theme that is "You lot Will Remember Our Names." Like "Yous Will Know Our Names" before it, when this song starts playing, y'all'd best believe that asses volition be kicked.
• "Monster Surprised You". Think "Battle Without Honor of Humanity" in the style of Xenoblade!
• ANÚNA contributed to the game's soundtrack: Indol'due south mean solar day and nighttime themes are sung by them. The harmonies and appeasing choirs tin only be described as "divine", fitting perfectly the place in which they resonate. They also sung Shadow of the Lowlands, Theosoir'southward day and night urban center theme, perfectly reflecting the cold and dying kingdom of Tantal.
• "Drifting Soul", the song that plays when Vandham dies, Nia reveals herself as a Flesh Eater Blade, and Rex assaults Malos in the last battle. It starts off as a relatively pitiful vocal but then gets more than enthusiastic, showing off how Rex feels equally being a driver from the offset compared to the finish. It too plays in Torna the Golden Country when Malos attacks Auresco, which is where Milton was; this puts Mythra into an Roaring Rampage of Revenge, nearly killing Malos.
• "The Ability of Jin" is Jin'south boss theme and a suiting mix of terror and melancholy, which serves to highlight how Jin is both a dangerous foe and a tragic effigy.
• "The Tomorrow With You" is an incredibly emotional rail that plays just twice: when Rex gives his "No More Holding Back" Speech to Pyra and Mythra while fighting Jin and Malos at the Cliffs of Morytha, and when Pneuma makes her Heroic Cede at the end of the game.
• The theme for the boxing against Amalthus, "The Acting God", perfectly illustrates his madness and delusions of grandeur with a majestic choir backed by an orchestra playing their hearts out. The theme is itself a remix of "By from Far Altitude", a beautifully holy-sounding choral piece that brings to mind a classical composition.
• The theme for this game'south Final Boss, Artifice Aion, is a beautiful and grandiose theme, and a bang-up successor to the showtime game's "Zanza the Divine" and "The God-Slaying Sword". The song uses a reprise of "Counterattack" very effectively to highlight the urgency of the fight. Exterior of that, the song uses Ominous Latin Chanting and synth guitars to highlight how urgent the fight is.
• There's One Last You, with lyrics written/supervised by Tetsuya Takahashi himself. It perfectly reflects the game'southward example of Earn Your Happy Catastrophe.
• The Quondam Factory, a piece of music inspired by Central Factory and Mechonis Field from the first game. The tune is reflected in where this plays (The Abandoned Manufactory and the Cliffs of Morytha).
• Gormott'south daytime theme heavily invokes Gaur Obviously from the original every bit an adventurous theme for the kickoff big field area. The nighttime theme and lower level theme are beautiful and relaxing.
• Mor Ardain'southward daytime theme manages to string a bombastic contumely fanfare together with a jazzy piano melody to create an extremely catchy theme that suits the militarized kingdom perfectly.
• Uraya's daytime theme, driven mostly past flute, creates a feeling of wonder to go with its lush temper. The nighttime theme trades in the flute tune for strings to create a more than soothing, withal withal wondrous atmosphere.
• "Friendship", which plays in a scattering of Heartwarming Moments, such as King and Pyra's talk by a bivouac, Tora reuniting with his father, and then forth.
• "Walking With You", a tear-jerking theme which plays during several deaths including Mikhail'south cede and Amalthus's Villainous Breakdown every bit he perishes past Jin's hand.
• The starting time of Chapter 10, The Nascency of a Universe, has a fitfully grandiose theme to accompany the moment you lot find out When Information technology All Began, and how.
• "Vocal of Giga Rosa", used during the fights against, well, Rosa. It captures the feelings of fighting a hilarious giant chibi mech perfectly, and also brings to mind the old mecha animes of the 80s-90s. Endeavor non to imagine Bana yelling "WE WIPE Flooring WITH YOU!" while you lot listen to it.
• "Tiger! Tiger!" is an incredible chiptune slice that brings to mind old arcade cabinets, and chances are you'll take it stuck in your head due to how oft you'll exist playing the minigame. It of all things fifty-fifty got a remix for Super Blast Bros. Ultimate.

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Torna: The Golden Country

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Source: https://tvtropes.org/pmwiki/pmwiki.php/AwesomeMusic/XenobladeChronicles2

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